Hiroe ~ Flatwaves ~ Amplifiers ~ Objects

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 6:30 PM Show: 7:00 PM Hiroe HIROE’s architecture is built over the walls of sound created by the band’s three guitarists towering over the foundation of the huge sounding bass and powerful drumming. The larger-than-life sound of the band is forged by a carefully selected all-star line up of producers, their debut being recorded by Mario Quintero (Spotlights), mixed by Matt Bayles (Caspian, Mono, Russian Circles, Isis, Pelican) and mastered by Will Yip (Caspian, Circa Survive). “We wanted to hold ourselves to a very high standard, so to sonically achieve our goals, we enlisted the help of Mario, Matt, and Will,” explains Kusanagi, indicating that this is a production team HIROE will likely continue to employ in the future. Wrought is a work of a quality that is rare among debut albums, an album which epitomizes the original idea of the genre as described by Simon Reynolds in The Wire back in 1994. “Post-rock means using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and power chords”. Wrought is confident, powerful and incredibly well-produced, combining the elegant, pretty side of post-rock staples like Pg.Lost, Mogwai and God Is An Astronaut with the heaviness of Deftones or Thrice. Hiroe is: Eric Kusanagi – Guitars Jill Paslier – Guitars Brian Kong – Guitars Jon Seiler – Bass Dan Sagherian – Drums Flatwaves Amplifiers Objects

Maul ~ Flesher ~ Gored Embrace

The Dead Bolts ~ Cab Ellis ~ Looser

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM The Dead Bolts – Chicago’s raucous, no-frills modern rock outfit — are hitting the road with Cab Ellis, the beating heart of New York City’s underground alt-rock revival. Multiple nights. Multiple cities. No polish. No pretense. The Dead Bolts The Dead Bolts have been earning it for years, from hours-long sets in corner bars and tours across the country crammed in their beloved van, Vancis, to packing out prestigious venues like Metro, Thalia Hall, and Salt Shed. Their sophomore LP, Beau Monde, is their loudest statement yet: a nine-track, no-skip record built for stages exactly like these and yet nowhere near as loud as their highly anticipated 3rd LP coming out in October of this year. Come hear their latest World Class Hit, SKINT, live in a city near you. Cab Ellis Cab Ellis rolled out of New York the same way — six musicians who couldn’t stop themselves from going completely untamed, led by frontman Connor Abeles, a performer whose energy turns a room full of strangers into one anarchic being. Stage diving. Beer-spitting. Split guitar strings. Sold-out nights at Bowery Ballroom. This is what rock and roll is supposed to feel like. Together, they’re bringing the kind of live show that’s getting harder to find — raw, loud, real, and absolutely worth the drive. Looser

Tomorrow’s Problem

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM Tomorrow’s Problem Tomorrow’s Problem is an energetic and upbeat band from Columbia, South Carolina. Formed at the University of South Carolina, the band later moved to Charleston, SC to craft their debut EP. Drawing inspiration from legends like Jimi Hendrix and Red Hot Chili Peppers, along with modern influences like Spacey Jane and Mt. Joy, Tomorrow’s Problem has built a reputation for their captivating live shows. Their sets are a high energy blend of dynamic moments, and a crowd that feels like part of the show. After wrapping up their first tour across 22 cities in the fall of 2025, the band is diving into new recordings and leaning into a fresh creative direction, while already looking forward to getting back on the road and hitting even more new places in 2026.

Scoochie Boochie

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 8:00 PM Scoochie Boochie Scoochie Boochie was born from a volcano, and now he’s the best rapper in the United States. In celebration of the release of his sixth album: The Drinking Fountain of Youth, he is embarking on a tour around North America, debuting brand new songs alongside viral hits like “I Have Sex” and “Car Butt”. Scoochie Boochie’s music sits at the intersection of rap, comedy, and lore. Cinematic skits connect the songs, weaving a story across multiple albums full of sharp wordplay and oddball premises. After 10 years grinding in the comedy scenes of Grand Rapids, MI and Chicago, the eruption finally began in January of 2025, when music videos for Car Butt, I Have Sex, and several other songs went viral, opening the floodgates for 400,000+ new fans who have discovered the rest of his catalog is also fire, and that he’s shockingly good live.

Joe Kaplow ~ A Meadow ~ James Clark

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM Joe Kaplow Before I started my career I had a choice: to take over my parent’s thoroughbred farm in New Jersey or pursue music full time in California and relinquish the farm to sale. I still wonder what life would have looked like had I stayed, but who can resist the gold rush? Besides, I plan to get back there one day on another farm with some other red barn. My music comes from life’s moments — smelling 4 acres of freshly cut grass, watching the steam from a horse’s breath in the early morning, finally holding the neck of my guitar after holding bridles and worn wooden handles all day. 4000 acres of freshly burnt wildfire, watching the steam from the Pacific Ocean’s breath in the early morning, finally holding the neck of my guitar after clutching the worn steering wheel of the tour van all day. Now my reality is in Bonny Doon, CA, where mountains meet the sea. I am in my recording studio, aptly named Hippie Cowboy, every day. Slow and steady; keep it fun, stay engaged. All for the moment when the song finally sounds right. My dad passed away a couple years ago — his bullwhip is on the wall, his Harley is in the driveway. He visits me in dreams, and oh, the moment I wake up! Sometimes I write for him. Sometimes for my mom, who I hope will move out to California soon. Maybe she could volunteer at an equestrian center… A person is made from their moments, like their music is made. I know this is a bio but I shouldn’t have to say much. Listen to the record. If I’ve done my job well, you will know me by the end – “This is a special record to me. Unlike the past few, this one sounds like a more cohesive ‘band’ statement. Most of it was cut together live, in a room over five days. Rob, Elliott, and I had been playing for a long time with Mikey and then Hawes on drums, and while the music always felt great, the ‘band’ feeling hadn’t made its way into the recording studio. ‘Time Spent In Between’ and ‘Sending Money and Stems’ were very pieced together albums; me playing most of the instruments, collaborating with many different drummers but working one song at a time, etc. However, when Jeff moved back from Nashville and joined the band, it felt more cohesive. Maybe we gelled because Jeff came from the same musical world. In our little family Jeff championed nicknames, Elliott invented musical travel games, and Rob and I rolled our eyes at their enthusiasm for Arby’s. We travelled around sharing our art and feeling free. When we went to Enterprise, OR to record the first session, most of the songs were learned on the spot. We strove for the zenith moments when we knew the song well enough to not make errors but still had to fly by the seats of our pants to keep it from coming unglued. Everything has an arc like this. After all, when you know something well enough you can take the present for granted. After those sessions we toured our new songs for a year (it usually goes the other way around) and decided some of the songs were misunderstood the first time so we recorded them again, live and together. I am thankful and proud of that process and proud of them. The music captured on this record occurred in very special moments between four people who had a special bond, musically and beyond. We hope you enjoy it.”

My Cousin’s Girlfriend’s House ~ Goings ~ Common Crime ~ Dead Wrong

LEAP – Entropy World Tour

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 6:30 PM Show: 7:30 PM LEAP LEAP is a plethora of rock and roll-induced extremes; a supersonic dance through the depths of lead- singer Jacky’s twisted and brilliant mind. Combining heavy riffs and beats, the odd sprinkle of electronica and anthemic pop, Jacky’s unique vocals take you on a journey through London’s underbelly and his own struggles with mental health. The past 2 years have been completely game-changing. With over 50,000 tickets sold across the UK and Europe, a top 10 self-released debut album, and a sold out tour of USA in March 2026, it’s the reaction to the band’s explosive gigs that is driving a highly-engaged international fanbase. The first 3 EPs saw a swell of editorial support across DSPs, further proof of the band’s intoxicating blend of hard rock and singalong pop. With a growing list of supporters at the likes of BBC Radio 1, Kerrang! Rolling Stone, MTV, Virgin Radio, Flux FM, BBC Radio 6, BBC Introducing, LEAP are fast-approaching undeniable status in a thriving global rock scene.

The Newest Olympian Podcast with Mike Schubert

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 6:00 PM Show: 7:00 PM THE NEWEST OLYMPIAN with Mike Schubert

Vethaken ~ We Used to Cut Grass ~ My So Called Summer

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 7:30 PM Vethaken Vethaken (formally Pravin Thompson Quartet) is the Brain Child of Guitarist, Pravin Thompson. This project has been performing in the United States, Canada, and India over the last 10 years but only recently has dawned a new Identity. Vethaken is a mix of Post-Hardcore and Prog-Jazz. Vethaken means wise eyes in “Tamil,” a South Indian language that Pravin’s family speaks. This name has significance in his family tree, but to Pravin it is more of a mantra. For him, it means you can always find beauty in whatever struggle that is presented to you, as most of the music in the Vethaken catalog has been written during times of distress. In 2019 Pravin was able to bring his band to play the Toronto Undergraduate Jazz Festival, opening for the incredible Donny McCaslin. In March 2020 Vethaken released their first LP, “A Thoughtful Collapse.” With the pandemic in full swing the band relied heavily on digital marketing. Utilizing Facebook and Instagram Ads along with great content to build a solid fan base throughout the United States, Europe, and Japan. As of April 2026, Vethaken has made over $20,000 in online Merch sales across the United States. They have generated well over 1600 customers. Their next EP, “I’m all out of Beautiful Thoughts,” has been gaining traction across streaming platforms, and has brought a whole new dimension to their current sound. We Used to Cut The Grass We Used to Cut the Grass is a shapeshifting experimental ensemble from New Jersey led by composer/bassist Cody McCorry. Known for wildly varying instrumentation, the band is heavily inspired by the likes of Frank Zappa, John Zorn and Sun Ra, with roots in the blurred zone between progressive rock and jazz fusion. The group’s sophomore album, “We Used to Cut the Grass #2,” the follow up to their similarly self-titled album released in 2022, simultaneously made waves in the jazz, prog and math rock scenes, affirming the band’s unorthodox approach to composition. The album made it into Arctic Drones’ top 20 best jazz fusion albums of 2025, who described it as “a beautiful mess you didn’t know you needed.” My So Called Summer-For more than a decade, songwriter Claire Cuny and composer/producer Monte Weber have co-created the Brooklyn-born indie project first known as Reliant Tom and now re-imagined as My So-Called Summer. Blending Monte’s textural, boundary-pushing production with Claire’s visceral choreography and haunting vocals, the duo carved out a singular space in the Brooklyn indie scene—one that lived equally onstage, onscreen, and in immersive performance environments.

Genre: Concerts