Slow Magic ~ Beacon Bloom ~ Artemis Orion (Cambridge Hall)

AGE RESTRICTION: Only Ages 21+ can purchase tickets for this show. NO REFUNDS/EXCHANGES for anyone underage who purchases or attempts to use these tickets. Doors: 7:00 PM Show: 8:00 PMSlow MagicDarkness and light, aggression and gentleness, ecstasy and reflection: these dualities define Slow Magic’s third and strongest project to date, Float. An expansive and inventive compendium of modern electronic pop, the enigmatic producer’s latest spans a multitude of genres and moods resulting in a listening experience that makes for its own journey. Float marks a number of “firsts” for Slow Magic: it’s the first time the producers worked with live drums and the first time they’ve brought guest vocalists into the Slow Magic world. Music has always provided a retreat for anyone looking to lose themselves in pure sound, and Float is a trip that no one will regret taking. Next, Slow Magic plans to release his 5th debut album later this summer of 2023. BloomBursting onto the melodic house scene with releases on some of the most influential imprints, New Zealand’s rapidly rising electronic act Beacon Bloom have released their stunning productions on ZeroThree, Colorized, Stil vor Talent and Purified Records. Their immersive, multi-genre hybrid live shows lead audiences on an emotive electronic journey – all set within the psychedelic Beacon Bloom universe. Gaining recognition from the likes of RÜFÜS DU SOL, David Guetta, Snoop Dogg, Paul Oakenfold and Nora En Pure, the group is on a sharp upward trajectory with over 1 million streams across platforms. Beacon Bloom were featured in Forbes Magazine for their pioneering work in music & Web3. Set to release upcoming collaborations with sought-after artists and labels across the world, the band is currently working on their debut EP.http://www.beaconbloom.comArtemis Orion

Yeah0k! ~ Tiefling ~ Holidaykiss ~ boygrrl

**All shows 21+—valid ID required**Doors: 7:00 PMShow: 7:30 PMYEAH0K!Hot trans music girl who makes music for other hot trans girls . Co-founder of the music collective SeraphimSpotifyTIEFLINGYTiefling (AKA Dj Tief, FKA Boy Tox) is the DIY solo project of Boston based multi-instrumentalist, songwriter, artist, and producer Jack Salvucci.Unbound by genre, medium or traditional boundaries, tief frequently bounces between disparate styles, including ambient, hyperpop, indie, electronica, neoclassical, and noise, among others. Her music emphasizes rhythm and texture, building complex wholes out of simple blocks.Her Second album was released September under the name Dj Tief, and features her first serious foray into electronic music. No one is sure what she has planned next but she has asserted it will be very different from dj tief’s burner phone.SpotifyInstagramBandcampHOLIDAYKISSdigital singer-songwriter . internet music . roadside wildflowers at full speed .MusicBOYGRRLMusic

Kris Baha ~ Mvtant ~ Kiss of the Whip ~ DJ UFO

 **All shows 21+—valid ID required** Doors: 7:00 PM Show: 7:30 PM Kris Baha Mvtant of the Whip DJ UFO


**All shows 21+—valid ID required**Doors: 7:00 PMShow: 7:30 PMEvanoffA staple in the Colorado music scene, Evanoffis a guitar-driven live electronica trio comprised of J.J. Evanoff (guitar/production), Jake Hall (drums) and Brennan Forrester (synth/bass/keys). Defined by a bold live show full of sonic exploration, the band blends soaring melodies and emotive bass lines to deliver a unique musical experience filled with dancing, improvisation, and futurism.  Evanoff continues to be one of the most versatile and dynamic acts in the ever-evolving electronic music scene.“Like for sure, right? These guys are pretty f*cking chill… Totally like if Bassnectar played guitar.”Since 2017, Evanoff has obliterated festival stages all across the country, including Camp Bisco, Electric Forest, Hulaween, Resonance, Euphoria, Joshua Tree, ARISE, Sonic Bloom, and more.  Fueled by Coors Light, Evanoff is only just beginning.


**All events 21+ — valid ID required for entry**Doors: 7PMShow: 8 PM 7PM – Doors 8PM – Show   DAVE KISS PRESENTS:   GRABBITZGrabbitz is an American record producer, musician, composer and DJ from Buffalo, New York.

Puppet ~ Gordon Snyder ~ Ty Lorenzo

**All shows 21+—valid ID required**Doors: 7 PMShow: 7:30 PMPuppetBrendan Baldwin pka Puppet is an electronic rock artist based in New York City. After his debut and consistent releases with Monstercat in 2014-2017, he quickly became known for his stand out sound, blending pop-punk vocals, rock focused song structures and real instruments with electronic focused production. In 2019 he released his Give Up The Dream EP independently, which showcased an even deeper fusion between traditional rock and electronic music. In 2020 he released his debut album I Know You Know Who I Am which cemented his status as a pioneer of the rock / EDM fusion. 2022 began with a mini tour which showed off his unique live set in front of hundreds of fans across the country. His sophomore album New York Family was released on May 4, 2022 and a tour is soon to follow this fall.  Gordon Ramsey Lorenzo

Panchiko ~ Computerwife

PANCHIKOOn July 21st, 2016, a user on 4chan’s /mu/ board posted a photo of a CD they’d found at a record store in Nottingham, UK: a rough-worn demo titled D>E>A>T>H>M>E>T>A>L, purportedly released in 2000 by four musicians: Owain, Andy, Shaun, and John. The listener uploaded the ripped audio – the recordings sounded like they were plagued with disc rot – to file-sharing sites, and later YouTube, where they began circulating among internet music circles. The record’s sensationalist appeal was multifold. Was this an honest- to-God ’90s curio? A prank hatched by internet-savvy teens? An internet experiment in nostalgia, in the spirit of vapourwave? Nobody knew. So the Panchiko hive mobilised, gathering on subreddits and discord servers, examining every square inch of the packaging for potential clues, and even calling the Nottingham record store where D>E>A>T>H>M>E>T>A>L had allegedly sprung up in the first place.“I woke up one day,” recounts Owain, “and ping – there’s a message on a defunct Facebook page of mine, ‘Hello, you’ll probably never read this, but are you the lead singer of Panchiko?’” The query took Owain by shock; to his and Andy’s knowledge, D>E>A>T>H>M>E>T>A>L had never been uploaded to the internet. The Panchiko fandom finally made contact the following day, when they received their reply from Owain, a simple “Yeah.” At last, the world had confirmation: not only were Panchiko not 14-year-old kids, they were the real deal, right down to the disk rot. and raised in Atlanta, Adeline Warncke released Computerwife’s self-titled EP in 2020 after her first two years settling into New York City. Now 22-years-old, Warncke is finishing her degree at NYU’s Clive Davis Institute of Recorded Music–-the open door that allowed her to make the move. Warncke started Computerwife at 18-years-old as a Soundcloud experiment in self-produced music, yet in the course of a somewhat short and seminal period of time she’s become a welcomed presence in the New York City scene. A little chaotic, a little silly, and always very sensitive, Computerwife absorbs the city as it affects memories of home and spits it back out onto her songs and productions about her experiences with change. In the past two years, Computerwife has performed across New York City at communal venues like The Living Gallery, Hart Bar, Nublu, and Chaos Computer. Starting out performing solo with just an sp404, bass, mic, and computer was incredibly nerve racking for Warncke who always grew up playing in and following bands, but she was called to grow her art even in circumstances that required a little bit more creative- self-sufficient walkarounds. Now Addie transfers that set-up to a band setting with Dalton Salisbury (synth, guitar) and John Supnick (drums). She performs songs from the earliest Soundcloud days to songs written and produced a day before walking into the venue, both of which are to be on Computerwife’s upcoming album, her first release on Los Angeles-based indie label Danger Collective Records.

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